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A Mother’s Touch

Mother & child

In chapter eight of Darcy’s Melody, Elizabeth comforts Georgiana much as a mother would. As we all know from Jane Austen’s Pride and Prejudice, Georgiana lost her mother at a very young age and was most likely raised by several governesses. After the passing of her father, her guardians became her brother, Fitzwilliam Darcy and her cousin, Colonel Fitzwilliam. Knowing that, it is understandable that Georgiana is exceedingly shy, as she is described by Jane Austen in her novel. We might also speculate that she is in much need of female companionship and would have benefited by having a sister.

As you will read in Darcy’s Melody, music is all important to Elizabeth Bennet who sings and is willing to share her love of music to inspire others. Lizzy’s song, All Through the Night (Ar Hyd y Nos) is a lovely Welsh folksong sung to a tune that is mentioned in the Musical and Poetical Relics of the Welsh Bards (1784) by Edward Jones. The Welsh lyrics were written by John Ceiriog Hughes, and have been translated into several languages, including English. Curiously, the melody was earlier used by John Gay in his ever popular English Ballad Opera, The Beggar’s Opera, 1728.

Bryn TerfelHere you will find a link to my rendition which is arranged by Ruth Elaine Schram: All Through the Night – Jennifer Redlarczyk

The second link is Bryn Terfel’s rendition sung in traditional Welsh. I first heard Mr. Terfel sing in concert at the Ravinia Summer Music Festival when I lived in the Chicagoland area. He has an amazing baritone voice and in this setting, the song is much like a prayer. Thank you so much for listening, and please feel free to tell me how music inspires you. Jen Red ♫

 

 

We are Speaking of Music!

 
LC4“What is that you are saying, Fitzwilliam? What is it you are talking of? What are you telling Miss Bennet? Let me hear what it is.”
“We are speaking of music, Madam,” said he, when no longer able to avoid a reply.
“Of music! Then pray speak aloud. It is of all subjects my delight. I must have my share in the conversation, if you are speaking of music. There are few people in England, I suppose who have more true enjoyment of music than myself, or a better natural taste. If I had ever learnt, I should have been a great proficient.”   Pride and Prejudice – Jane Austen

I have often wondered what was required of a young lady to become a great proficient during Jane Austen’s time. Jane Austen, 1775-1817, studied the pianoforte until she was age twenty-one. As we know from reading her novels, music was an integral part of her stories. Several of her heroines played the instrument and sang, not to mention that her characters often attended balls and assemblies or concerts.

I suspect that Georgiana may have begun her musical studies at a very young age. While her first teacher may have been her governess, as she grew older and showed more promise, her father, and later her brother, would have engaged Masters who resided in London to serve as her tutors. 

Darcy and Georgiana MacFayden

“Oh! Yes—the handsomest young lady that ever was seen; and so accomplished!—She plays and sings all day long.”  Pride and Prejudice – Jane Austen

To become truly accomplished on the Pianoforte, a young lady such as Georgiana Darcy might have easily practiced six to eight hours a day, much like university music majors do today. Her technical studies may have included the older masters such as J.S. Bach, C.P.E.Bach, G.F. Handle, and Domenico or Alessandro Scarlatti. Then she would have been introduced to more contemporary masters such as Clementi, Haydn, Mozart and Beethoven. In addition, she would have had vocal studies where she would have been expected to learn Italian arias and popular ballads written by English composers.

C.P.E. BachIn Darcy’s Melody, I have allowed several proficient musicians to join the cast of characters and I would like to introduce them to you here. For example, in chapter one, we first hear of Herr Schneider, Georgiana’s music master, from her days at school. Coming from a German descent, I envisioned him as having lived in Hamburg where he studied with the notable C.P.E. Bach before immigrating in his later years to London where he took up his teaching position. 

Then, in Chapter Two, I have mentioned the acclaimed blind composer from Vienna, Maria Theresia von Paradis, 1759-1824. In my story, she happens to be a summer guest of the Darcys’ cousin, Lady Jessica Helmsley. In reality, Miss Paradis was a personal friend of Mozart and toured extensively in Europe as well as London. Maria Theresea von ParadisAt the hospital concert, in chapter six, Georgiana and her friend Lady Lilyan perform Miss Paradis’ composition, the beautiful Sicilienne. Please click here to listen to Sicilienne by Maria von Paradis. This particular recording of Sicilienne happens to be arranged for the flute and harp.

As for Elizabeth Bennet, while she has not had the opportunity to study formally like her friend, Georgiana, in Darcy’s Melody we find that she has an inherit gift for singing. Her strength comes through her interpretation of the ballad song which was very popular during Jane Austen’s time.

Thomas MooreSeveral of Lizzy’s first songs happen to be written by Irish favorite, Thomas Moore, 1779-1852. Even Darcy has a collection of Moore’s poetry which is referenced in the story. Please click here to listen to my recording of Believe Me If all Those Endearing Young Charms. by Thomas Moore.

Sir Henry BishopDuring the course of the story we are also introduced to an English musician, Sir Henry Bishop, 1786-1855, who became the music director and composer in residence of Covent Garden around 1810, at the young age of 24. Mr. Bishop was known for his ever popular English Ballad Operas. In Darcy’s Melody, Mr. Bishop assists Lady Matlock’s committee in her charitable endeavors and is commissioned to write a song, Deep in my Heart, which will be sung later in the story by Lizzy. Please click here to listen to my recording of Deep in My Heart by Sir Henry Bishop.  

While we journey our way through the posting of Darcy’s Melody here on the forum, I hope that you will enjoy how I’ve incorporated my own passion for music into this tale. Now that you’ve read a few of my thoughts and speculations, what can you tell me about your musical background?  Have you ever studied the piano or another instrument? Do you sing? I wonder if any of you have performed professionally or know of someone in your family who does. Please feel free to leave your comments and thoughts, as I would love to hear them.

Jen Red ♫

The Piano Lesson, Girard - 1810

The Melody of a Story!

May 17, 2016

The written word is like music to my soul. It can stir your emotions to great heights, inspire, and challenge you to think, put a smile on your face or perhaps leave you with a bit of melancholy. Just as a musician paints a story by the way he writes his music, the author writes the melody of his innermost being and leaves it on the written page for us to read. 

In Darcy’s Melody, Elizabeth Bennet and Georgiana Darcy meet through their mutual love of music. This is the story of how music and friendship bring two families together, challenging Fitzwilliam Darcy to embrace a new melody within his heart.

A preview from the first chapter of Darcy’s Melody is now appearing in the forum thread called A New Story Posting. Below you will find a visual preview of my tale. The stills are taken from the Pride and Prejudice 1995 Movie, while the Deryshire photos were shot by author, Florence Nicolaï. I shall be posting Darcy’s Melody in its entirety on this forum before publishing. If you are currently not a member, please feel free to register and login. See you in the threads!

Jen Red  ♫  Click HERE to see a preview of Darcy’s Melody on YouTube. 

Lizzy and Georgiana 1small

Author Trivia! ♫

Just for fun, I decided to interview some of our authors on DarcyandLizzy.com to find out what kind of music inspires their muse. Here is what I discovered.  ~ Jen ♫

Aleksandra – Ola Wegner: “I love all kinds of music from Classical to Film Soundtracks, then Country Music, Jazz, Broadway, Rock, and Opera. It’s kind of like reading. I love a little bit of everything, although oddly enough, I’m not much on Romance.”
Aureader – Rose Fairbanks:  “I like to write with the 2005 P&P Sound track playing in the background.  After that, it’s usually Disney Theme Songs.”
Brenda – Brenda Webb: “Country, country, & more country! Eddie Rabbit was my all-time favorite singer, Eddie Rabbit -I Can’t Help Myself  along with John Schneider (Bo Duke on Dukes of Hazzard) as a close second.”  John Schneider- A Memory Like You  
Kay Kay’s Quill – Kathy Langenstein Berlin:  “I’m a Hard Rock kind of girl, especially when I am driving my 2015 Mustang. What does that have to do with my muse, you ask? I work out dialogue and complex scenes while driving. Bizarre, I know, because my JAFF is Regency, not modern. When I move to my office and my computer for both my full-time job and my Darcy and Elizabeth story, I also move to Jazz, which is my version of white noise. Today, though, it will be all Prince, in the same way that several days were devoted to David Bowie not too long ago.”
Klnba – Zoe Burton:  “I can’t have any noise when I write, so I don’t play music at that time. I do love Country. George Strait is my favorite, though I have many songs and artists that I love.” 
Leenieb1- Lennie Brown:  “Oh this is a hard question! I LOVE music! Let’s see, when writing, I need music that is instrumental … no words allowed. I prefer that it be soothing and have the right feel or mood for what I might be working on, but that doesn’t always happen.”
Liedermadchen – Natalie Richards:  “As for inspirational music, I prefer tunes that are more on the mellow side while writing so that I won’t be distracted by the sudden urge to dance a reel. Christina Perri’s Arms comes to mind, Ella Fitzgerald & Loius Armstrong’s You Can’t Take That Away From Me and Dream a Little Dream of Me, Mumford & Sons, Of Monsters and Men, Nora Jones & the soundtracks for The Lord of the Rings and Pride and Prejudice are others.”
Lindablanche – Linda Tremblay Blanchette:  “I don’t use music to fuel my muse as I always write without anything on. But, to get rid of writer’s block, I usually play Classic Rock or Pop like Journey, Eagles, Fleetwood Mac, Billy Joel, Madonna, Prince etc.”
Lis – Lis Batten:  “I do like some modern composers and Mark Knopfler and his record Sailing to Philadelphia is one of my favorites. I’ve always liked Classical Music ever since my music teacher introduced our class to Tchaikovsky’s Overture of 1812 when I was 11 years old. Then many years ago, I watched the film Somewhere in Time and have never forgotten that music. I particularly like Rachmaninoff’s Rhapsody on a Theme of Paganini.
Mgtiffy – Maureen Grinter:  “I like everything from Classical, Rock n’ Roll, Pop, Scottish Pipe Bands, but I guess what fuels my muse when I’m sitting at the computer writing, is music from Westlike, My favorite singer is John Farnham. I used to play the drum in the Air League Drum Band, and to this day when I hear that music, it makes me want to join in.”
PlaineJane27 – Ivy May Stuart:  “I love Stevie Wonder, Marvin Gaye, Ella Fitzgerald and then throw in some early Blues, Stephane Grappelli (Jazz Violin), Maroon Five, Corrine Baily Rae, and the list goes on.”
Rainbowpromise – Annette Wristen:  “Music is important to me though I can’t say that any certain type inspires my muse. For example when writing Chocolate, Curls & Dragons, I listened to a variety of YouTube fan videos that included Darcy clips. It’s Raining Men comes to mind. When writing Short of the Truth the song of choice was from Jars of Clay – Show you the Love. Currently I’m working on a Victorian novel so I listen to Viennese Waltzes.”
Rhae52 – Rhonda Aldridge:  “I always have a song playing in my head when thinking of certain scenes. In the final scenes of Take Me Home the song that played through my head was God Bess the Broken Road by Rascal Flatts. Of course, the title for TMH  came directly from Johnny Cash’s song by the same name because it was my little man’s favorite. When I think of the relationship between Will and Connor, the song Dare You by Hardwell feat/Michael Koma comes to mind. Then between Will and Lizzy, You Sexy Thing by Hot Chocolate or Im Too Sexy by Right Said Fred. The list goes on. Needless to say, Music is a very powerful force in shaping my muse.”
 Muzio Clementi piano belonging to Jane Austen
 Muzio Clementi square fortepiano belonging to Jane Austen, 1815

 

I hope you enjoyed my first blog post. Please feel free to leave your comments and tell me what kind of music inspires you below.
Till next time, Jen Red ♫

  Brother, can you spare a dime? + An Announcement

Announcement

It has been said that all good things must come to an end, and I have found that adage to be true. Today, it is with a sad heart that I announce I am leaving Austen Authors. I began my journey with this group unsure if I could handle the duties of my forum, DarcyandLizzy.Com, write books and be a part of this wonderful group in light of my health concerns and my obligations to an older member of my family. Still, for over a year I managed to do it all and had a great time in the bargain!

Alas, nothing ever stays the same and as things have changed, I found that is no longer the case. Thus, I have decided to concentrate on my forum and what I really enjoy—writing. Though I will no longer be a part of this lovely group, I shall always appreciate the opportunity to participate that Sharon and Regina gave me.

I am not leaving JAFF and I will continue to support my friends at Austen Authors in every way possible. Hopefully, I will still see many of you on the forum and our Facebook pages.

Hugs and the best of luck to one and all!

Brenda

~~~~~~***~~~~~~

BROTHER CAN YOU SPARE A DIME!

One thing I love about writing Regency stories is that you learn a lot doing research. A new term I came across while I was writing Darcy and Elizabeth – A Promise Kept was money box. Like most, I had heard of a piggybank, but I had not heard the term money box. It seems both of these names were used during different periods in time, though the term money box was used most often until the late 19th century.

After reading about them, I went in search of pictures, and it quickly became evident that common money boxes of the early 1800’s were just plain ugly. Still, I decided to incorporate a money box into my latest story and share some of the pictures and information with you.

Pottery-money-box Tudor-Green-Ware
Pottery-money-box Tudor-Green-Ware

The practice of collecting coins by putting them in ceramic vessels dates back to ancient China. At some point, a clever bureaucrat must have figured out that using ceramic jars with a small slit near the top as their only

Crude yellow clay Money box 16th century
Crude yellow clay Money box 16th century

opening would ensure all taxes collected would be turned over to the tax authority. The populace dropped their taxes (coins) into the jar, and once finished, the collector had only to deliver the coin-filled jar.

By the Tudor period, the practice of ceramic boxes had spread to England where they were called money boxes or money jars. We most often think of a box as a square or rectangular container, but in its earliest meaning, a

box was a receptacle made of any material, in any shape, which held drugs, perfumes or valuables. Therefore, it was perfectly logical to call the pottery vessels in which coins were kept money boxes.

During the Regency period, a wide range of money boxes

16th or 17th Century Money Box
16th or 17th Century Money Box

were still in use, primarily by servants and their children. They were cheaply produced, of various shapes and sizes, but typically 10-15 cm tall and round, usually glazed in brown or green, had a penny sized slot cut into them and a characteristic ‘knob’ molded on top. Nearly all servants used one to hold spare coins collected over the course of the year. By tradition, on Boxing Day, they would smash the box and use the money to enjoy themselves and buy a new box for the coming year. For that reason, these money boxes were also known as Christmas boxes and rattling boxes.

Boxes were also purchased by the middle and lower classes as gifts for babies and young children.

It was customary for a parent or god-parent to give a baby a money box into which they placed a few

1586 -1603 English Money Box
1586 -1603 Money Box 

coins to start the child’s savings. Each year, on the child’s birthday or name day, family and friends might make gifts of coins which would be dropped into the child’s money box.

Dutch Delft Dog circa 1700
Dutch Delft Dog circa 1700

As they got older, children might also earn a few coins from time to time which they also slipped into their money box. Typically, the money box was entrusted to the child’s mother, who would safeguard it and present it to the child when they came of age. Though it seems the upper classes seldom bothered with money boxes, it is always possible that a doting and/or eccentric relative might give a more expensive money box to a child and slip coins into it each year on that child’s birthday as well.

Because the nature of the money box dictated it had to be destroyed to access the coins, most were made quickly and sold cheaply. Making square or rectangular objects was more labor-intensive; thus, for centuries most were made in the shape of simple jars with a small finial or button on the top. By the turn of the eighteenth century, potters began making them domed-shaped with decorated surfaces. After being coated with a yellow glaze, these pineapple-shaped boxes sold well, and with the use of simple designs, colored glazes and cheap child labor, many potters developed a steady business.

With the advent of ceramic molding, various shapes became inexpensive to create; thus, chicken shaped boxes were turned out in great numbers. Having a palette of white, yellow, red and brown glazes, they looked quite realistic. Then, as the nineteenth century began, dogs, cats, cows, sheep, elephants and lions joined the line-up. Buildings, primarily ceramic cottages and castles, were available at the beginning of the Regency period and by 1820, were increasingly more elaborate and expensive. Afterward, they were purchased more for household ornaments than for vessels in which to save money.

Very few money boxes have survived since they were smashed when their owner wanted the coins contained within, but I have included some photos of the nicer and more interesting ones below—some from other countries.

A Fabergé silver money box, Moscow, 1908-1917, the lid inset with 1 poltina silver coin of Empress Anna Ioannovna (dated 1732), the sides with trompe l'oeil casket straps, gilt interior
A Fabergé silver money box, Moscow, 1908-1917, the lid inset with 1 poltina silver coin of Empress Anna Ioannovna (dated 1732), the sides with trompe l’oeil casket straps, gilt interior

 

A rare English earthenware pottery stoneware saltglaze money bank.  Decorated with relief molded images of a portly gentleman with a tankard of frothing ale, windmills and dogs. The side of the box has an image of a huntsman on horse chasing a fox.
A rare English earthenware pottery stoneware saltglaze money bank. Decorated with relief molded images of a portly gentleman with a tankard of frothing ale, windmills and dogs. The side of the box has an image of a huntsman on horse chasing a fox.

Money Box Heads

Early Staffordshire Money Box Heads In the early 19th century, circa 1820, these were a tuppence a ton, widely made and given to children to encourage savings. However, as the only way to get the money out was to smash them, not many have survived.

~~~~~***~~~~~

Did you have a piggybank when you were a child and, if so, did you save for a specific purpose? I remember saving my money for our summer vacations and how thrilling it was to buy a souvenir that I selected. It would take several days before I would choose which one I simply had to have! How about you? Do you have any piggybank memories to share? I’d love to hear about them.

Information in this post came in part from: regencyredingote.wordpress.com/2015/03/13/pottery-money-boxes-of-the-regency/  and www.encyclopedia.com/topic/Piggy_Bank

Darcy and Elizabeth – A Promise Kept + a giveaway!

RE-POSTED FROM AUSTEN AUTHORS

As the readers of my books know, I am not one of those writers who can write quickly. In that regard, I proudly claim to be like Mr. Darcy who so famously said to Caroline, “You are mistaken. I write rather slowly.”

It takes me about a year to write a book and longer than that to get it ready for publication, so today, I am happy to announce the publication of my next novel Darcy and Elizabeth – A Promise Kept which is available on Amazon and Create Space.

Here’s a synopsis of the story.

Five years after his disastrous proposal at Kent, Fitzwilliam Darcy receives a letter from Charles Bingley regarding a promise he made when their friendship ended. Should Darcy decide to keep the promise, it will throw him into the company of the one woman he has struggled for years to forget—Elizabeth Bennet. 

Having just entered a secret agreement with Lady Markham, will Darcy put his future in jeopardy by stepping in to help Bingley? Has time and distance helped him overcome his regard for Elizabeth, or will he fall as madly in love with her as before?

Is true love to be found in a promise kept?

I hope I’ve piqued your interest. Take a look at the cover. I love it!

 

400 X 600

 

I shared part of the first chapter in a previous post and the entire chapter in our Writers Block, so you can read them there if you haven’t already. Still, I wanted to share a little more of the story in honor of its publication, so here’s an excerpt from Chapter Seven:

As William waited in the library for the butler to locate Jane Bingley, he perused the titles on a bookcase that covered the entire west wall. Impressed with the collection, he surmised that the estate must have come with the furnishings, since everything seemed much as it was when he and Bingley toured the house years ago, and a well-stocked library was not one of Charles’ priorities. Then, too, Lord Norton had deliberated renting the property because he had two other estates, so William felt reasonably certain that the man would not have taken the majority of the books with him when the estate sold, if any.

Caught up in his observations, William was unaware that Elizabeth had entered the room behind him. Since she was not expecting him to be at the Bingleys’ residence that day, she did not see him either, and turned in the opposite direction. Even so, he was alerted to her presence when she began humming a tune he remembered from his childhood—Lavender’s Blue.

The minute he spied her, his breath caught. Only once had he seen her hair in its present style—at a picnic Charles had hosted at Netherfield. The sides were pulled up and tied with long, pink satin ribbons, the ends of which were now entwined in the dark curls that cascaded down her back. As his eyes followed her lithe frame across the room, he was tortured by thoughts of how it would feel to replace the ribbons with his fingers. Thoroughly dismayed at the path his thoughts had taken, William tried to picture Millie’s hair worn in the same fashion, but could not.   

In Elizabeth’s hands were several books, and, once she reached a small, round table, she laid them there. Then she walked down an identical wall of bookshelves until she found a library chair. Sliding this object along the floor until it was where she wished it to be, she flipped the chair over, revealing four built-in steps. Then, taking the top book from the stack, she lifted her skirts and put one dainty foot on the bottom step. Since she wore simple slippers and no stockings, William had a good view of her left ankle and leg clear to the knee. Instantly aware that he should have announced his presence before now, his heart began to race. Still, in light of the circumstances, he was incapable of speech.

Unfortunately, Jane Bingley chose that moment to rush into the room. “Mr. Darcy, I had no idea you would come today! It was only yesterday that I sent the express.”

At the sound of Jane’s voice, Elizabeth’s head swung around. Finding William staring in her direction, she dropped her skirts and lifted her chin, giving him a stern glare.

Thoroughly embarrassed, William turned to Jane, stuttering a reply. “I . . . I was preparing to leave for Pemberley, but your letter gave me the impression that you were frightened; thus, I came here first.”

By then, Elizabeth had walked towards them. Jane’s eyes went wide when she realised that her sister had heard everything. Before she could speak, however, Elizabeth said impatiently, “You were frightened, Jane, yet you did not think to tell me?”

Jane’s hands flew to her face, and she began to cry, and Elizabeth pulled her sister into an embrace, patting her back. 

“Please do not cry, dearest. I was only wounded that you did not feel that you could confide in me. I want to know when anything is amiss. In your condition, you should not carry burdens alone. 

“It is not that I felt I could not confide in you. It is just—” Jane stopped to pull a handkerchief from her pocket and dab at her eyes. Looking from her sister to William, she said, “Let us sit down, and I will tell you both what has transpired. 

Minutes later, Jane had shared a letter from Kitty that had arrived a week earlier. That letter had informed her that a strange man had been seen in Meryton asking about the former occupants of Longbourn. More particularly, he had visited that property and spoken to Mr. Collins, presenting himself as an old friend of Mr. Bennet. Upon being informed of the calamity that had befallen their parents, he enquired as to whether the daughters were all well. He also wanted to know whether they had married and where each lived. Only the arrival of Charlotte Collins from a quick jaunt into Meryton cut short the rector’s long-winded recitation of each sister’s fate before he got to Elizabeth. Charlotte, being more wary than her husband, had informed Kitty of the man’s inquisitiveness the next day. Nonetheless, by the time Kitty asked for the man’s whereabouts in the village, he had slipped away.  

Already planning a visit, the following day Kitty travelled to the nearby village of Compton where James Parton, Mary’s husband, was the vicar. Immediately upon arrival, Kitty informed Mary of the strange man in Meryton. Consequently, Mary related a similarly odd occurrence. It seemed that a stranger had come by the parish in search of counselling only the week before, and his conversation had swiftly moved from his own concerns to assertions that he knew Mary’s father years ago. When he enquired as to how the sisters had fared since their parents’ untimely deaths, the vicar mentioned that Kitty had married Harvey Thomas, a law clerk, and still lived in Meryton. When he asked about Elizabeth specifically, Mr. Parton became suspicious and sent him on his way. 

Once Jane had finished reading, the room was eerily silent. The look on William’s face was enough to convince her that he was contemplating the situation before commenting. Elizabeth, however, had no such reluctance and attempted to make light of it all.  

“Surely asking about our family is scarcely a reason to think that anyone means to do us harm? On the contrary, Papa had many good friends from university, and upon hearing of the circumstances of his death, why would they not profess an interest in our welfare?” 

Jane was about to answer, when William retorted, “I am afraid that I cannot agree, Mrs. Gardiner. One incident may be logical.  Two is suspect.”

Apparently still angry that he had not made his presence known earlier, Elizabeth snapped, “Mr. Darcy, you may be in charge of all our finances, but you are not in charge of my life! Surely I have a right to live without fear of every person who asks after me.”

“Lizzy,” Jane said, “you have no right to talk to Mr. Darcy in that manner.” 

William held up a hand. “Please. Let her say what she wishes; that is her prerogative.”

“I wanted to spare you the worst of it, Lizzy, but I see that I simply cannot,” Jane said wearily. “Mayhap you will change your tone after hearing this.” Reaching into her pocket, she withdrew another missive. Holding it out to William, she said, “This arrived yesterday morning and was what prompted the express.”  

William took the paper, his brows furrowing as he read what was written thereon. I know the secret about your sister and that child. 

Seeing his expression darken, Elizabeth asked, “What does it say?” 

Looking up, he locked eyes with hers. “Do you not think it time I was told the truth?”  

Not able to meet his gaze, Elizabeth looked away.

“He has earned the right to know, Lizzy.”

Purchase links for Darcy and Elizabeth – A Promise Kept:

KINDLEAND

PAPERBACKNow, for the fun part! I’m giving away four Kindle e-book copies. If you leave a comment by midnight Friday April 15, CST, you’ll be included in the drawing. I hope you win, and it takes your mind off your taxes!

Who You Really Are?

Posted on Austen Authors on by • And Shared on this Blog!

After my last blog post, I heard from so many fellow writers, and a good many friends, who said that they were introverts, too. Many came as a surprise, especially among the writers I know and admire. In hindsight, I fear that I assumed that most writers were extroverts because of their ability to promote themselves and their books so well. Now I know that is not always the case.

However, having so many of my fellow authors claim they are introverts made me wonder how many well-known writers were, too. I looked for a list, but found that writers were always included as part of a larger list of famous introverts. After reading dozens of lists, J. K. Rowling, Dr. Seuss and Edgar Allan Poe were the only authors who were mentioned repeatedly. Below are just a few other famous introverts that were listed:

Clint Eastwood  Bill Gates  Abraham Lincoln  Audrey Hepburn  Eleanor Roosevelt  Sir Isaac Newton  Albert Einstein  Meg Ryan

Mahatma Gandhi  Laura Bush  Rosa Parks  Warren Buffet  Roy Rogers  Marilyn Monroe  Tom Hanks  Candice Bergen

George Stephanopoulos  Johnny Carson  Harper Lee

Best Day Ever

While I was researching introverts and extroverts, I found that you are not just one or the other. There are a number of variations of each and personality tests that will reveal which type you are.

Katharine Cook Briggs and her daughter, Isabel Briggs Myers, first published their test, the MBTI, in 1962, after studying the work of Carl Jung since the 1940s. Jung believed everyone experiences the world through four principal psychological functions: sensation, intuition, feeling and thinking and that one is dominant most of the time. Katharine and Isabel gave his theory a practical application: to help women entering the industrial workforce for the first time to identify the sort of war-time jobs that would be “most comfortable and effective” for them.

Here is a chart that shows the different personality types on the MBTI:

MBTItypeChart Larger

And here are what the letters stand for:

The first letter is for introvert (I) or extrovert (E).

Do you prefer to focus on the basic information you take in or do you prefer to interpret and add meaning? This is called Sensing (S) or Intuition (N).

When making decisions, do you prefer to first look at logic and consistency or first look at the people and special circumstances? This is called Thinking (T) or Feeling (F).

In dealing with the outside world, do you prefer to get things decided or do you prefer to stay open to new information and options? This is called Judging (J) or Perceiving (P)

I thought it might be fun to use this information to categorize some of our favorite Austen characters, and luckily came across this MBTI chart with the characters in Pride and Prejudice already done.

pride and prejudice personality chart larger

I think it hard to pin-point everyone precisely, but I cannot agree with some of these. For instance, Caroline is ISFJ which is ‘amiable and ready to sacrifice?’ I don’t picture Caroline as either of these. Georgiana is classed as ENFP, which is an extrovert and described as ‘life of the party?’ And Mr. Collins, who is ISTP, does not impress me as someone who is unpretentious—not attempting to impress others with an appearance of greater importance, talent, or culture than is actually possessed.

I do think it fascinating that Darcy and Lizzy are alike except when it comes down to T or P. Darcy thinks while Lizzy feels. What do you think? Do you agree with the type assigned to your favourite character? I would love to hear your opinion!

Meanwhile, if you wonder what type personality you are, there is a free MBTI test at this link. Free Personality Test

A more in-depth test can be had for a fee at the Briggs and Meyer Foundation. Myers Briggs Foundation

 

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