Dec
16
2016
Today, being Jane Austen’s birthday, 16 December, I would like to pay tribute to a very special woman in the world of literature. I first discovered Jane Austen when I was but a teenager. My mother was a lover of old movies and introduced me and my sister to the 1940 version of Pride and Prejudice movie starring Greer Garson and Lawrence Oliver. What could be better than this old black and white with lively music and lighthearted banter between our beloved characters, Elizabeth Bennet and Fitzwilliam Darcy?
Jane had long been interested in the written word, and some of her earliest writings can be traced back as far as age eleven. She often wrote stories, poems, and short plays for her family’s amusement, and engaged in family theatricals on a regular basis. We can easily imagine how some of these experiences in Jane’s early life must have stimulated her imagination as well as forming the foundation for much of her writing that we enjoy today.
Oct
14
2016
Melody of a Quilt
Melody of a Quilt
What is it about a beautiful handmaid quilt that makes your heart want to sing when you look at it or run your fingers over the seemingly endless stitches that were so lovingly placed throughout? For me it is an appreciation of an art that gives me a connection to the past. My mom, Jean Gibson Kreuser, came from a long line of Kentucky quilters who quilted out of necessity.
Growing up on a small 100 acer farm during the depression, my mom and her sisters used every scrap of fabric they could find in order to make coverings that would keep them warm at night. I remember her telling us stories how they would cut squares out of old shirts, dresses and sometimes even feed sacks to create their quilt tops. When looking in her old trunk, which I viewed more like a treasure chest, she still had several hand pieced blocks that she made when she was a young girl. 
As a child, I remember my mom was a woman who loved to keep her hands busy. I can still see her sitting in the old rocking chair crocheting or embroidering as we watched television or listened to music on the radio or phonograph. When I was very young, Mom sewed on an old Singer treadle sewing machine, as did my grandmother. I could sit at her feet for hours watching the wheel spin and the fabric run past the sewing feed as she made curtains for our windows or created the cutest clothes for me and my little sister, Melody. 
At the young age of seven I desperately wanted to learn how to sew on that old machine and pestered my mom until she finally agreed to teach me. I was thrilled when Mom told us that our first project would be a nine-patch quilt top. The nine-patch was an old favorite of Mom’s, since it reminded her of her own childhood and all of the hours she spent sewing with her sisters. 
In making the nine-patch, the first thing we had to do was to cut an accurate two and a half inch square for the template. Once we got the cardboard template made, the next step was to tediously trace and cut the squares on varied scraps of cloth, being careful not to waste any fabric. We then sorted out the solids and prints, making what I thought were a very pleasing arrangement of blocks on the table. At last we were ready to sew.
On modern sewing machines, it is quite easy to make an accurate seam. On the old treadle it was more difficult so you had to mark the sewing lines for the seams to insure accuracy or use the presser foot as a gauge. With her loving hands guiding me each step of the way we worked diligently and actually completed the quilt top during the course of the summer between my second and third grade. Today, that old quilt resides at my sister’s house, and as tattered and worn as it is—the quilt has been an old favorite for many years.
Being a lover of Jane Austen’s Pride and Prejudice, I have always had a soft spot for dear Georgiana, the younger sister who remembers so little of the mother who died when she was but a little girl. In my story Lady Anne’s Quilt, I have decided to give Georgiana a loving bond to her past through a very special heirloom, her mother’s quilt. Georgiana and her new sister, Elizabeth, happen to come upon the quilt while exploring the contents of an old trunk which was left by Lady Anne for her daughter’s sixteenth birthday. From there, a story of discovery allows Georgiana to connect with her mother in a way that is very endearing. This story may be found on the completed stories board on the forum. Lady Anne’s Quilt
In researching quilts made during Jane Austen’s time, I discovered that most quilts were often made from whole cloth and were not necessarily pieced or appliquéd as many are today. Even so, I learned by reading a wonderful UK article printed in The Jane Austen Community which tells us that Jane, her sister Cassandra, and her mother hand pieced the beautiful patchwork quilt that is now on display at Chawton Cottage in Hampton, UK. Here is a quote from the article.
In May 1811, Jane asked her sister Cassandra, “have you remembered to collect pieces for the Patchwork?—we are now at a standstill.”
http://www.janeausten.co.uk/jane-austens-quilt/ 
In corresponding with Sue Dell, Collections Volunteer at Jane Austen’s House Museum whose specialty is the Austen quilt, Sue told me that the central medallion is a chintz fabric that was taken from a piece that was sold as a panel for quilting, making chair covers or fireplace screens. The central medallion was cut out of this panel in the shape of a diamond and is equivalent in size to 121 of the small edging diamonds. Because it is printed, there is no piecing involved in this section of the quilt. Sue say that the full panel can be seen in a quilt in the Bowes Museum in Barnard Castle in Yorkshire.
In addition to the center medallion, there are at least 64 fabrics including a mixture of dress fabrics and furnishing fabric that are used in the construction of the quilt. The central area is made up of block printed fabrics that were probably fussy cut. This technique centers the flower before cutting out the shape. The small diamonds around the edge are largely made from roller printed fabrics.
There is no embroidery on the quilt. In fact, Sue says that though it is called a quilt, it is considered a coverlet since there is a layer of wadding between the patchwork and the backing, but the layers have not been connected by a quilting stitch. While there were quilts made at this time with the quilting stitch going through all of the layers, Sue believes that the Austen women made theirs for decoration rather than warmth. Interestingly, Sue also says that the quilt is completely symmetrical in terms of the positioning of the patches—even the tiny diamonds around the edge.
When taking in all of the planning that must have gone into the quilt by the Austen women, and viewing the end result, one can only image that the hand sewing of this treasure would have taken months to complete. For those of us who value the art of quilting, I feel that we are fortunate to have this particular connection to Jane Austen’s past. My heartfelt thanks of appreciation go out to all lovers of Austen and to those historians who have worked so hard to preserve another part of her legacy.
NOTE: I would like to make mention of an incredibly beautiful book called Jane Austen Patchwork Mystery by Linda Franz. In it you will find wonderful color pictures and additional information about Jane Austen’s quilt. Included are step-by-step instructions of how you might make your own patchwork treasure.
ALSO: I would like to acknowledge Sue Dell, who so graciously answered many of my quilt questions by email. Sue will be speaking at the Jane Austen North American (JASNA) convention on Friday, October 21, 2016 from 7:00-8:00 pm. The Annual General Meeting takes place from October 21-23 in Washington DC Metropolitan USA. Here is the blurb from her lecture:
Jane Austen was an adept needlewoman who did plain sewing and participated in the decorative crafts of the wealthier classes. Jane, her mother, and her sister together stitched a unique and beautifully designed quilt, now displayed at Jane Austen’s House Museum. Slides showing the quilt in previously unseen detail will accompany a discussion of its design, construction, and historical context. 
I would love to know if you have ever been to Chawton House and seen the Jane Austen Quilt. Or if you have a special quilt story of your own, please feel free to share it in the comments thread. Thanks so much for reading my blog today. Jen Red ♫
Jul
26
2016
A Mother’s Touch
In chapter eight of Darcy’s Melody, Elizabeth comforts Georgiana much as a mother would. As we all know from Jane Austen’s Pride and Prejudice, Georgiana lost her mother at a very young age and was most likely raised by several governesses. After the passing of her father, her guardians became her brother, Fitzwilliam Darcy and her cousin, Colonel Fitzwilliam. Knowing that, it is understandable that Georgiana is exceedingly shy, as she is described by Jane Austen in her novel. We might also speculate that she is in much need of female companionship and would have benefited by having a sister.
As you will read in Darcy’s Melody, music is all important to Elizabeth Bennet who sings and is willing to share her love of music to inspire others. Lizzy’s song, All Through the Night (Ar Hyd y Nos) is a lovely Welsh folksong sung to a tune that is mentioned in the Musical and Poetical Relics of the Welsh Bards (1784) by Edward Jones. The Welsh lyrics were written by John Ceiriog Hughes, and have been translated into several languages, including English. Curiously, the melody was earlier used by John Gay in his ever popular English Ballad Opera, The Beggar’s Opera, 1728.
Here you will find a link to my rendition which is arranged by Ruth Elaine Schram: All Through the Night – Jennifer Redlarczyk
The second link is Bryn Terfel’s rendition sung in traditional Welsh. I first heard Mr. Terfel sing in concert at the Ravinia Summer Music Festival when I lived in the Chicagoland area. He has an amazing baritone voice and in this setting, the song is much like a prayer. Thank you so much for listening, and please feel free to tell me how music inspires you. Jen Red ♫
Jul
05
2016
We are Speaking of Music!
“What is that you are saying, Fitzwilliam? What is it you are talking of? What are you telling Miss Bennet? Let me hear what it is.”
“We are speaking of music, Madam,” said he, when no longer able to avoid a reply.
“Of music! Then pray speak aloud. It is of all subjects my delight. I must have my share in the conversation, if you are speaking of music. There are few people in England, I suppose who have more true enjoyment of music than myself, or a better natural taste. If I had ever learnt, I should have been a great proficient.” Pride and Prejudice – Jane Austen
I have often wondered what was required of a young lady to become a great proficient during Jane Austen’s time. Jane Austen, 1775-1817, studied the pianoforte until she was age twenty-one. As we know from reading her novels, music was an integral part of her stories. Several of her heroines played the instrument and sang, not to mention that her characters often attended balls and assemblies or concerts.
I suspect that Georgiana may have begun her musical studies at a very young age. While her first teacher may have been her governess, as she grew older and showed more promise, her father, and later her brother, would have engaged Masters who resided in London to serve as her tutors.
“Oh! Yes—the handsomest young lady that ever was seen; and so accomplished!—She plays and sings all day long.” Pride and Prejudice – Jane Austen
To become truly accomplished on the Pianoforte, a young lady such as Georgiana Darcy might have easily practiced six to eight hours a day, much like university music majors do today. Her technical studies may have included the older masters such as J.S. Bach, C.P.E.Bach, G.F. Handle, and Domenico or Alessandro Scarlatti. Then she would have been introduced to more contemporary masters such as Clementi, Haydn, Mozart and Beethoven. In addition, she would have had vocal studies where she would have been expected to learn Italian arias and popular ballads written by English composers.
In Darcy’s Melody, I have allowed several proficient musicians to join the cast of characters and I would like to introduce them to you here. For example, in chapter one, we first hear of Herr Schneider, Georgiana’s music master, from her days at school. Coming from a German descent, I envisioned him as having lived in Hamburg where he studied with the notable C.P.E. Bach before immigrating in his later years to London where he took up his teaching position.
Then, in Chapter Two, I have mentioned the acclaimed blind composer from Vienna, Maria Theresia von Paradis, 1759-1824. In my story, she happens to be a summer guest of the Darcys’ cousin, Lady Jessica Helmsley. In reality, Miss Paradis was a personal friend of Mozart and toured extensively in Europe as well as London. 
At the hospital concert, in chapter six, Georgiana and her friend Lady Lilyan perform Miss Paradis’ composition, the beautiful Sicilienne. Please click here to listen to Sicilienne by Maria von Paradis. This particular recording of Sicilienne happens to be arranged for the flute and harp.
As for Elizabeth Bennet, while she has not had the opportunity to study formally like her friend, Georgiana, in Darcy’s Melody we find that she has an inherit gift for singing. Her strength comes through her interpretation of the ballad song which was very popular during Jane Austen’s time.
Several of Lizzy’s first songs happen to be written by Irish favorite, Thomas Moore, 1779-1852. Even Darcy has a collection of Moore’s poetry which is referenced in the story. Please click here to listen to my recording of Believe Me If all Those Endearing Young Charms. by Thomas Moore.
During the course of the story we are also introduced to an English musician, Sir Henry Bishop, 1786-1855, who became the music director and composer in residence of Covent Garden around 1810, at the young age of 24. Mr. Bishop was known for his ever popular English Ballad Operas. In Darcy’s Melody, Mr. Bishop assists Lady Matlock’s committee in her charitable endeavors and is commissioned to write a song, Deep in my Heart, which will be sung later in the story by Lizzy. Please click here to listen to my recording of Deep in My Heart by Sir Henry Bishop.
While we journey our way through the posting of Darcy’s Melody here on the forum, I hope that you will enjoy how I’ve incorporated my own passion for music into this tale. Now that you’ve read a few of my thoughts and speculations, what can you tell me about your musical background? Have you ever studied the piano or another instrument? Do you sing? I wonder if any of you have performed professionally or know of someone in your family who does. Please feel free to leave your comments and thoughts, as I would love to hear them.
Jen Red ♫
May
17
2016
The Melody of a Story!
May 17, 2016
The written word is like music to my soul. It can stir your emotions to great heights, inspire, and challenge you to think, put a smile on your face or perhaps leave you with a bit of melancholy. Just as a musician paints a story by the way he writes his music, the author writes the melody of his innermost being and leaves it on the written page for us to read.
In Darcy’s Melody, Elizabeth Bennet and Georgiana Darcy meet through their mutual love of music. This is the story of how music and friendship bring two families together, challenging Fitzwilliam Darcy to embrace a new melody within his heart.
A preview from the first chapter of Darcy’s Melody is now appearing in the forum thread called A New Story Posting. Below you will find a visual preview of my tale. The stills are taken from the Pride and Prejudice 1995 Movie, while the Deryshire photos were shot by author, Florence Nicolaï. I shall be posting Darcy’s Melody in its entirety on this forum before publishing. If you are currently not a member, please feel free to register and login. See you in the threads!
Jen Red ♫ Click HERE to see a preview of Darcy’s Melody on YouTube.
Author Trivia! ♫
Just for fun, I decided to interview some of our authors on DarcyandLizzy.com to find out what kind of music inspires their muse. Here is what I discovered. ~ Jen ♫
Aleksandra – Ola Wegner: “I love all kinds of music from Classical to Film Soundtracks, then Country Music, Jazz, Broadway, Rock, and Opera. It’s kind of like reading. I love a little bit of everything, although oddly enough, I’m not much on Romance.”
Aureader – Rose Fairbanks: “I like to write with the 2005 P&P Sound track playing in the background. After that, it’s usually Disney Theme Songs.”
Brenda – Brenda Webb: “Country, country, & more country! Eddie Rabbit was my all-time favorite singer, Eddie Rabbit -I Can’t Help Myself along with John Schneider (Bo Duke on Dukes of Hazzard) as a close second.” John Schneider- A Memory Like You
Kay Kay’s Quill – Kathy Langenstein Berlin: “I’m a Hard Rock kind of girl, especially when I am driving my 2015 Mustang. What does that have to do with my muse, you ask? I work out dialogue and complex scenes while driving. Bizarre, I know, because my JAFF is Regency, not modern. When I move to my office and my computer for both my full-time job and my Darcy and Elizabeth story, I also move to Jazz, which is my version of white noise. Today, though, it will be all Prince, in the same way that several days were devoted to David Bowie not too long ago.”
Klnba – Zoe Burton: “I can’t have any noise when I write, so I don’t play music at that time. I do love Country. George Strait is my favorite, though I have many songs and artists that I love.”
Leenieb1- Lennie Brown: “Oh this is a hard question! I LOVE music! Let’s see, when writing, I need music that is instrumental … no words allowed. I prefer that it be soothing and have the right feel or mood for what I might be working on, but that doesn’t always happen.”
Liedermadchen – Natalie Richards: “As for inspirational music, I prefer tunes that are more on the mellow side while writing so that I won’t be distracted by the sudden urge to dance a reel. Christina Perri’s Arms comes to mind, Ella Fitzgerald & Loius Armstrong’s You Can’t Take That Away From Me and Dream a Little Dream of Me, Mumford & Sons, Of Monsters and Men, Nora Jones & the soundtracks for The Lord of the Rings and Pride and Prejudice are others.”
Lindablanche – Linda Tremblay Blanchette: “I don’t use music to fuel my muse as I always write without anything on. But, to get rid of writer’s block, I usually play Classic Rock or Pop like Journey, Eagles, Fleetwood Mac, Billy Joel, Madonna, Prince etc.”
Lis – Lis Batten: “I do like some modern composers and Mark Knopfler and his record Sailing to Philadelphia is one of my favorites. I’ve always liked Classical Music ever since my music teacher introduced our class to Tchaikovsky’s Overture of 1812 when I was 11 years old. Then many years ago, I watched the film Somewhere in Time and have never forgotten that music. I particularly like Rachmaninoff’s Rhapsody on a Theme of Paganini.”
Mgtiffy – Maureen Grinter: “I like everything from Classical, Rock n’ Roll, Pop, Scottish Pipe Bands, but I guess what fuels my muse when I’m sitting at the computer writing, is music from Westlike, My favorite singer is John Farnham. I used to play the drum in the Air League Drum Band, and to this day when I hear that music, it makes me want to join in.”
PlaineJane27 – Ivy May Stuart: “I love Stevie Wonder, Marvin Gaye, Ella Fitzgerald and then throw in some early Blues, Stephane Grappelli (Jazz Violin), Maroon Five, Corrine Baily Rae, and the list goes on.”
Rainbowpromise – Annette Wristen: “Music is important to me though I can’t say that any certain type inspires my muse. For example when writing Chocolate, Curls & Dragons, I listened to a variety of YouTube fan videos that included Darcy clips. It’s Raining Men comes to mind. When writing Short of the Truth the song of choice was from Jars of Clay – Show you the Love. Currently I’m working on a Victorian novel so I listen to Viennese Waltzes.”
Rhae52 – Rhonda Aldridge: “I always have a song playing in my head when thinking of certain scenes. In the final scenes of Take Me Home the song that played through my head was God Bess the Broken Road by Rascal Flatts. Of course, the title for TMH came directly from Johnny Cash’s song by the same name because it was my little man’s favorite. When I think of the relationship between Will and Connor, the song Dare You by Hardwell feat/Michael Koma comes to mind. Then between Will and Lizzy, You Sexy Thing by Hot Chocolate or Im Too Sexy by Right Said Fred. The list goes on. Needless to say, Music is a very powerful force in shaping my muse.”
Muzio Clementi square fortepiano belonging to Jane Austen, 1815
I hope you enjoyed my first blog post. Please feel free to leave your comments and tell me what kind of music inspires you below.
Till next time, Jen Red ♫
May
14
2016
Brother, can you spare a dime? + An Announcement
It has been said that all good things must come to an end, and I have found that adage to be true. Today, it is with a sad heart that I announce I am leaving Austen Authors. I began my journey with this group unsure if I could handle the duties of my forum, DarcyandLizzy.Com, write books and be a part of this wonderful group in light of my health concerns and my obligations to an older member of my family. Still, for over a year I managed to do it all and had a great time in the bargain!
Alas, nothing ever stays the same and as things have changed, I found that is no longer the case. Thus, I have decided to concentrate on my forum and what I really enjoy—writing. Though I will no longer be a part of this lovely group, I shall always appreciate the opportunity to participate that Sharon and Regina gave me.
I am not leaving JAFF and I will continue to support my friends at Austen Authors in every way possible. Hopefully, I will still see many of you on the forum and our Facebook pages.
Hugs and the best of luck to one and all!
Brenda
~~~~~~***~~~~~~
BROTHER CAN YOU SPARE A DIME!
One thing I love about writing Regency stories is that you learn a lot doing research. A new term I came across while I was writing Darcy and Elizabeth – A Promise Kept was money box. Like most, I had heard of a piggybank, but I had not heard the term money box. It seems both of these names were used during different periods in time, though the term money box was used most often until the late 19th century.
After reading about them, I went in search of pictures, and it quickly became evident that common money boxes of the early 1800’s were just plain ugly. Still, I decided to incorporate a money box into my latest story and share some of the pictures and information with you.
The practice of collecting coins by putting them in ceramic vessels dates back to ancient China. At some point, a clever bureaucrat must have figured out that using ceramic jars with a small slit near the top as their only
opening would ensure all taxes collected would be turned over to the tax authority. The populace dropped their taxes (coins) into the jar, and once finished, the collector had only to deliver the coin-filled jar.
By the Tudor period, the practice of ceramic boxes had spread to England where they were called money boxes or money jars. We most often think of a box as a square or rectangular container, but in its earliest meaning, a
box was a receptacle made of any material, in any shape, which held drugs, perfumes or valuables. Therefore, it was perfectly logical to call the pottery vessels in which coins were kept money boxes.
During the Regency period, a wide range of money boxes
were still in use, primarily by servants and their children. They were cheaply produced, of various shapes and sizes, but typically 10-15 cm tall and round, usually glazed in brown or green, had a penny sized slot cut into them and a characteristic ‘knob’ molded on top. Nearly all servants used one to hold spare coins collected over the course of the year. By tradition, on Boxing Day, they would smash the box and use the money to enjoy themselves and buy a new box for the coming year. For that reason, these money boxes were also known as Christmas boxes and rattling boxes.
Boxes were also purchased by the middle and lower classes as gifts for babies and young children.
It was customary for a parent or god-parent to give a baby a money box into which they placed a few
coins to start the child’s savings. Each year, on the child’s birthday or name day, family and friends might make gifts of coins which would be dropped into the child’s money box.
As they got older, children might also earn a few coins from time to time which they also slipped into their money box. Typically, the money box was entrusted to the child’s mother, who would safeguard it and present it to the child when they came of age. Though it seems the upper classes seldom bothered with money boxes, it is always possible that a doting and/or eccentric relative might give a more expensive money box to a child and slip coins into it each year on that child’s birthday as well.
Because the nature of the money box dictated it had to be destroyed to access the coins, most were made quickly and sold cheaply. Making square or rectangular objects was more labor-intensive; thus, for centuries most were made in the shape of simple jars with a small finial or button on the top. By the turn of the eighteenth century, potters began making them domed-shaped with decorated surfaces. After being coated with a yellow glaze, these pineapple-shaped boxes sold well, and with the use of simple designs, colored glazes and cheap child labor, many potters developed a steady business.
With the advent of ceramic molding, various shapes became inexpensive to create; thus, chicken shaped boxes were turned out in great numbers. Having a palette of white, yellow, red and brown glazes, they looked quite realistic. Then, as the nineteenth century began, dogs, cats, cows, sheep, elephants and lions joined the line-up. Buildings, primarily ceramic cottages and castles, were available at the beginning of the Regency period and by 1820, were increasingly more elaborate and expensive. Afterward, they were purchased more for household ornaments than for vessels in which to save money.
Very few money boxes have survived since they were smashed when their owner wanted the coins contained within, but I have included some photos of the nicer and more interesting ones below—some from other countries.
Early Staffordshire Money Box Heads In the early 19th century, circa 1820, these were a tuppence a ton, widely made and given to children to encourage savings. However, as the only way to get the money out was to smash them, not many have survived.
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Did you have a piggybank when you were a child and, if so, did you save for a specific purpose? I remember saving my money for our summer vacations and how thrilling it was to buy a souvenir that I selected. It would take several days before I would choose which one I simply had to have! How about you? Do you have any piggybank memories to share? I’d love to hear about them.
Information in this post came in part from: regencyredingote.wordpress.com/2015/03/13/pottery-money-boxes-of-the-regency/ and www.encyclopedia.com/topic/Piggy_Bank
May
01
2016
Welcome to DarcyandLizzy.com!
We are so glad that you found DarcyandLizzy.com! If you have come to join the forum and read JAFF stories free, please click on the pink DarcyandLizzy badge on the right side of the page. It will take you to the page to ‘sign-up’ for the forum. Once on the forum, you can easily come back to this blog to read the posts here. See you on the boards!
By the way, some people have asked how to comment. Just under the heading of each post is Discussions: Comment. Just click on Comment!
Mar
19
2016
Who You Really Are?
Posted on Austen Authors on by • And Shared on this Blog!
After my last blog post, I heard from so many fellow writers, and a good many friends, who said that they were introverts, too. Many came as a surprise, especially among the writers I know and admire. In hindsight, I fear that I assumed that most writers were extroverts because of their ability to promote themselves and their books so well. Now I know that is not always the case.
However, having so many of my fellow authors claim they are introverts made me wonder how many well-known writers were, too. I looked for a list, but found that writers were always included as part of a larger list of famous introverts. After reading dozens of lists, J. K. Rowling, Dr. Seuss and Edgar Allan Poe were the only authors who were mentioned repeatedly. Below are just a few other famous introverts that were listed:
Clint Eastwood Bill Gates Abraham Lincoln Audrey Hepburn Eleanor Roosevelt Sir Isaac Newton Albert Einstein Meg Ryan
Mahatma Gandhi Laura Bush Rosa Parks Warren Buffet Roy Rogers Marilyn Monroe Tom Hanks Candice Bergen
George Stephanopoulos Johnny Carson Harper Lee
While I was researching introverts and extroverts, I found that you are not just one or the other. There are a number of variations of each and personality tests that will reveal which type you are.
Katharine Cook Briggs and her daughter, Isabel Briggs Myers, first published their test, the MBTI, in 1962, after studying the work of Carl Jung since the 1940s. Jung believed everyone experiences the world through four principal psychological functions: sensation, intuition, feeling and thinking and that one is dominant most of the time. Katharine and Isabel gave his theory a practical application: to help women entering the industrial workforce for the first time to identify the sort of war-time jobs that would be “most comfortable and effective” for them.
Here is a chart that shows the different personality types on the MBTI:
And here are what the letters stand for:
The first letter is for introvert (I) or extrovert (E).
Do you prefer to focus on the basic information you take in or do you prefer to interpret and add meaning? This is called Sensing (S) or Intuition (N).
When making decisions, do you prefer to first look at logic and consistency or first look at the people and special circumstances? This is called Thinking (T) or Feeling (F).
In dealing with the outside world, do you prefer to get things decided or do you prefer to stay open to new information and options? This is called Judging (J) or Perceiving (P)
I thought it might be fun to use this information to categorize some of our favorite Austen characters, and luckily came across this MBTI chart with the characters in Pride and Prejudice already done.
I think it hard to pin-point everyone precisely, but I cannot agree with some of these. For instance, Caroline is ISFJ which is ‘amiable and ready to sacrifice?’ I don’t picture Caroline as either of these. Georgiana is classed as ENFP, which is an extrovert and described as ‘life of the party?’ And Mr. Collins, who is ISTP, does not impress me as someone who is unpretentious—not attempting to impress others with an appearance of greater importance, talent, or culture than is actually possessed.
I do think it fascinating that Darcy and Lizzy are alike except when it comes down to T or P. Darcy thinks while Lizzy feels. What do you think? Do you agree with the type assigned to your favourite character? I would love to hear your opinion!
Meanwhile, if you wonder what type personality you are, there is a free MBTI test at this link. Free Personality Test
A more in-depth test can be had for a fee at the Briggs and Meyer Foundation. Myers Briggs Foundation
Feb
09
2016
A Real Writer? Plus a preview of my next book!
Shared from Austen Authors blog
I confess I do not fit many people’s idea of what a real writer should be. 
My confession may sound odd coming from someone who has published three books, has two more in the works, and belongs to Austen Authors, however, I got to where I am today by the hardest route— kicking and screaming all the way.
You see, I am an introvert. I would like nothing better than to crawl in a cave and write, emerging only to publish whenever I finish a book. Alas, in today’s world, there are so many people publishing, especially those new to JAFF, it seems one has to at least try to promote their books in order to sell them. And, since sales of my books are important to my livelihood, I had no choice but to crawl out of my cave!
Why don’t I consider myself writer material? The main reason is that I am not comfortable tooting my own horn. I was raised in an age when one did not self-promote. That makes it difficult for me to boast of good reviews and accolades. Moreover, I 
spend more time on FB talking to the people I went to school with than posting writer stuff. While I am on Twitter, I only tweet the articles on Austen Authors and the things happening on DarcyandLizzy.com. So, I have a long way to go using social media.
Don’t misunderstand me. There is nothing wrong with promoting yourself and your books, but when I read about all the things my fellow writers are doing—writing seminars, ‘how to’ programs, dictating devices, special book writing apps, giving lectures, exhaustive research, JAFF organization meetings, to name a few—it makes me tired just thinking about it. At my age, I need to use all my focus to get the stories in my mind on paper while I can still remember them. smiles
While every person has their own way of writing, I stick with the basics. This means pulling up a Word document, thinking up a
unique plot, and getting started. Fortunately, I have never had problems imagining plots, and once I begin a tale, I cannot wait to get the story written.
I plan to publish my current story, Darcy and Elizabeth, A Promise Kept,in late February or early March, so be on the lookout for it. For those who aren’t following my posts on DarcyandLizzy.com, there is an excerpt below from the first chapter. I hope you will enjoy this little taste of my latest book. Let me know what you think!
Excerpt from Chapter One of Darcy and Elizabeth – A Promise Kept
William nodded and turned back to the windows. Millicent waited until the colonel was completely out of sight and then surreptitiously studied the man she had always loved, who by now was watching some horses frolic in a distant pasture. While his eyes were glued to the bucolic scene, he sipped a glass of brandy.
“A penny for your thoughts.”
Sighing deeply before he answered, William said, “I was thinking of Georgiana and wondering how she is faring now that she and Lord Charlton have settled in Ireland.”
“Are you worried about the marriage? I thought you approved of him.”
“I had no choice but to approve. Though I was not a great admirer of his late father, I could find no evidence that the son was not a gentleman in every sense of the word. None of my friends had anything bad to say about him, either. Still, I tried to persuade Georgiana to continue the engagement another year, just to be certain. She refused.”
“One and twenty is not too young to know your heart or to marry, Fitzwilliam, and, thanks largely to you, Georgiana has always been sensible.”
“I suppose you are right.”
Hoping to persuade him before Richard’s return, she broached the subject of staying longer. “Can I not convince you to wait until the end of the week to return to Pemberley? With the children at their grandmother’s estate, the house will be entirely too quiet after you leave.”
Glancing at her sideways, William said, “I thought your cousins were staying.”
“They are; however, they are not my idea of stimulating company. I fear that I shocked them when I chose to ride to the hounds alongside the men.”
William could not suppress a grin. “Perhaps that is because a lady is expected to ride side-saddle.”
“Then I suppose I am not a lady! And make no mistake—my cousins will lecture me about my misconduct until the day they leave.” Then she grinned. “And you, sir, have managed to change the subject. Will you not at least stay long enough to see the children?”
“I cannot possibly stay. There are issues that require my attention at Pemberley.”
“Why ever not? Lord knows you pay your stewards well to handle your estates. And you will just bury yourself in work at Pemberley—anything to keep from participating in the real business of life.”
“I have no idea what you mean.”
“I thought you abhorred deceit, Fitzwilliam! For years I have had to threaten to have Richard bring you against your will; otherwise, you would never have left your cave. Will you just admit that you enjoyed yourself once you arrived?”
“I was pleased to be in both your company and my cousin’s, and I enjoyed participating in the hunt,” William replied. Pensively, he took another sip of brandy before continuing. “I cannot say I enjoyed being on display again.”
“What do you expect? You are one of the most eligible men in all of England and will always garner the attention of parents with unmarried daughters. And the widows cannot help but flaunt themselves at you, praying to catch your eye.”
“I am only interested in one widow, and she will not agree to marry me.”
Millicent turned to examine William’s face for a certain truth. Not finding it, she walked over to a nearby chair and sat down. Wearily she said, “We have had this conversation far too many times.”
“Just because I am not madly in love with you does not mean we would not do well together. My father was of the opinion that friendship should outweigh love when two people speak of marriage. He and Mother were only friends when they married.”
“You were not formed for a marriage of convenience, Fitzwilliam, and marrying me would be exactly that. Besides, I am of the opinion that the heartache which permeates you so deeply is the result of an unrequited love.”
William’s brows knit as his voice rose. “As I have tried to tell you time and again, I have suffered no such heartache.”
I am currently posting this story on the forum, so you may click on the Pink Button, Top Right to go there to read it.
Jan
21
2016
RESOLVING NOT TO RESOLVE! (shared from Austen Authors)
Have you already broken your New Year’s resolutions? I confess that I haven’t! Of course, that’s simply because I never made any. I used to make resolutions when I was younger, but then I realized I lacked the “want to” to follow through. The cartoon below represents my current way of dealing with those who ask if I’ve made any resolutions.
Still, after seeing so many mentions of resolutions in social media, some posted by my fellow Austen Authors, I began to wonder why the tradition began and when? Here’s some of what I learned.
It seems the Babylonians made promises to their gods in March of each year. 
Oddly, their resolutions had to do with returning borrowed objects and paying their debts. Now, those are resolutions I could get behind! And, with any luck, the neighbor who borrows all our tools would be reminded to return them at least once a year!
Then came the Romans, who began each year by making promises to the god Janus, the two-faced god who looks backwards towards the old year and forwards into the new. Their resolutions had a moral flavor: mostly to be good to others. This seems odd to me since they spent so much time conquering and plundering so many countries, but who am I to judge.
Then, when the Roman Empire took Christianity as its official state religion in the 4th century, these moral intentions were replaced by prayers and fasting. Christians chose to observe the Feast of the Circumcision on January 1st in place of the revelry indulged in by those who did not share the faith.
Supposedly, medieval knights had their own version of the New Year’s resolution called The Vow of the Peacock or of The Pheasant. One by one, during the last feast of the Christmas week, they would place their hands on a live or roasted peacock, brought in with great pomp in a large vessel of gold or silver by a bevy of ladies. It was presented to each in turn, and each made
his vow to recommit themselves, for the next twelve months, to the ideals of chivalry. Afterward the bird was set upon the table to be divided amongst all present. The flesh of the peacock (or of the pheasant) according to the old romances, was the peculiar diet of valiant knights and heart-stricken lovers. Charles Dickens wrote about these oaths in a Victorian periodical he founded, All the Year Round.
The tradition has other religious parallels. During Judaism’s New Year, Rosh Hashanah, through the High Holidays and culminating in Yom Kippur (the Day of Atonement), Jews reflect upon their wrongdoings and both seek and offer forgiveness. Christians act similarly during Lent, although the motive is more of sacrifice than of responsibility. In fact, the practice of New Year’s resolutions came, in part, from the Lenten sacrifices. The concept, regardless of creed, is to reflect annually upon how one can improve oneself.
I searched for lists of the most common resolutions, lists of which resolutions were most often broken and the length of time most resolutions were kept. Here they are in order:
Top 10 New Year’s resolutions for 2015
- Lose weight and get fit
- Get organized
- Get out of debt and save money
- Enjoy life to the fullest
- Eat healthier and diet
- Learn something new
- Quit smoking
- Help others achieve their dreams
- Fall in love
- Spend more time with family
Top 10 Commonly Broken New Year’s Resolutions
- Lose weight and get fit
- Quit smoking
- Learn something new
- Eat healthier and diet
- Get out of debt and save money
- Spend more time with family
- Travel to new places
- Be less stressed
- Volunteer
- Drink Less
Length most resolutions are kept (enough said)
- One week – 75%
- Two weeks – 71%
- One month – 64%
- Six months – 46%
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Finally, I saw this meme and thought these resolutions had a lot of merit even if vacuum is misspelled, so I am sharing it with you!
Now, since I confessed that I stink at keeping resolutions, I wondered about you? Am I the only one? Does something have you buffaloed? For me it was and is exercising more.
If there’s something that has you intimidated, would you be willing to admit it? Remember confession is good for the soul. And, for those who obviously have their act together because they keep their resolutions, here is your chance to brag in the comments! I hope you will.
Information for this post came from: http://www.statisticbrain.com/new-years-resolution-statistics/
http://content.time.com/time/specials/packages/article/0,28804,2040218_2040220_2040221,00.html
https://en.wikipedia.org/wiki/New_Year%27s_resolution And http://billpetro.com/history-of-new-years-resolutions